Iago takes his revenge out on Emelia, his wife and property by killing her even as she speaks. Yet in the end it is proved that Iago is the actual "Demi-devil" V ii whereas through the whole play Othello is made out to be a devil because of his skin colour and from this we can se how racial prejudices existed strongly in the mid sixteenth century.
This is evident through the death of all but one woman, Bianca. Prostitute imagery plays a heavy part in depicting women through the play with women being called many terms such as "Hobby-horse s ", "Minx s " and "Minion s ".
The handkerchief, green-eyed monster and cuckolding imagery are prominent in defining this theme. The image that leads to the demise of Desdemona is that of the strawberry embroidered handkerchief given, by Othello, to Desdemona. Women throughout the play are treated as objects by there male counterparts.
This is based around his black skin and being of non-Venetian descent which makes Othellos diversity of imagery essay an alien to his peers. The antagonist Iago is defined through many different images, Some being the use of poison and soporifics, sleeping agents, to show his true evil and sadistic nature.
The satanic character of Iago is depicted well though different types or imagery. The Machiavellian persona of Iago can also be seen through his use of reputation imagery to Cassio and Othello. Iago is also likened very much, though imagery, to the Devil. This continues throughout the play with lines such as "The Moor already changes with my poison" III iii and "Not poppy nor mandragora, Nor all the drowsy syrups of the world shall medicine thee to that sweet sleep Which thou did owdest yesterday" III iii Othello is also strongly characterised by imagery too.
Irony plays a major part in the meaning of deception in Othello. Othello is also depicted as being evil and violent and a devilbecause of his cultural background. Some of this imagery is that of hobbyhorses and the like showing that they, Desdemona and Emelia, were nothing better than common whores.
Also the power of jealousy is well defined by imagery. To Cassio he says "Reputation is an idle and most false imposition" II iii and as a paradox, to Othello, he says reputation is everything to a man and he is nothing with out it.Othello’s Diversity of Imagery Essay Words | 12 Pages Othello’s Diversity of Imagery The diverse imagery found in Shakespeare’s drama Othello represents a world all.
Imagery in Othello Essays - Imagery in Othello The vast array of natural imagery in Shakespeare’s tragic drama Othello dazzles the audience’s minds. Let us survey in this essay the varieties of imagery referred to by the playwright.
The vulgar imagery of Othello’s ancient dominates the opening of the play. Imagery within the Tragedy Othello Essay. Imagery within the Tragedy Othello The grand variety of imagery in William Shakespeare’s tragic drama Othello serves many purposes.
Let us in this paper consider the types and purposes of the imagery. Othello’s Diversity of Imagery The diverse imagery found in Shakespeare’s drama Othello represents a world all by itself. And this world of imagery contributes to the prevailing sentiment of pain and suffering and unpleasantness.
There is no shortage of imagery in the play; this is for certain. This imagery of the silence and what it represents is that women should be silent no matter what, because if the silence is not kept it may be the end as was the case for Emelia.
The image that leads to the demise of Desdemona is that of the strawberry embroidered handkerchief given, by Othello, to Desdemona. Color Imagery in Shakespeare's Othello PAGES 2. WORDS 1, View Full Essay. More essays like this: Sign up to view the complete essay. Show me the full essay.
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